No film explores that more deeply, and darkly, than Michael Rowe's Early Winter, screening in the Venice Days program.
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The story of a family that gets caught up with a drug cartel, the film climaxes with a torture scene of two men that includes a penis sprinkled with gasoline and lit.
Wilson is one of those mediocre, small men who have always occupied the fringes of influence but would never have imagined to insult a sitting President in bygone days.
I had asked the feisty young Director--beside a pool, his hair wet and he wrapped in a towel--to explain the meaning of the film
Los Bastardos is a spare and brutal survey of the suburban wasteland.
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