I didn't know I loved Jane Eyre until I began teaching it. You would think that after hours of research and hundreds of student papers, there would be nothing new to say about a novel nearly two centuries old.
Even before William Shakespeare's so-called "problem play" Measure for Measure gets properly underway at the Globe, director Dominic Dromgoole has loosed on the audience what looks and sounds like a musical 16th-century orgy attended by various bawds and Lords (Lawds?).
Chances are that if you're an aspiring or struggling author, you have a day job. And chances are equally good that you dream of a time when you're free to write all day or at least a substantial part of every day and that the writing will be lucrative enough to pay the bills.
Sometimes it is not as obvious as a knight riding his horse into battle to face the enemy. Below are different types of courage displayed by five fictional characters who endure so much, and yet always stay strong, never, ever giving up.
For readers, the pleasures of the unreliable narrator seem to lie primarily in the challenges they offer our critical and interpretive faculties. Can we figure out the narrator's trustworthiness (or lack of it) before the other characters do?
Among literature's most popular plot devices are the obstructions authors put on the road of love.
It's hard not to get engrossed when two characters are thwarted from finding happiness with each other.
Most of us have a certain routine, so it's exciting to pick up a book and end up in another time, place, and situation. To make this experience even more intense, I often try to follow a novel I just read with one that's very different.
For a book with "Solitude" in its title, it sure has lots of characters! After recently reading One Hundred Years of Solitude, I've been thinking about whether novels are better with large casts or small casts.