Dressed in a sequined Christian Dior mini dress, Oscar-winning actress Natalie Portman took the stage at The Wallis Annenberg Center for the Performing Arts in Beverly Hills, CA to present Israeli author Amos Oz with the UCLA Israel Studies Award.
The moment Raf Simons cries isn't even the best part of Frédéric Tcheng's documentary Dior and I. Neither is Simons' triumphant bow at the Fall 2012 Haute Couture show or the suspenseful moment when it seems no couture dresses will arrive at a fitting.
I mentioned the word personality in connection with shoes above. Personality is a great word to describe most, if not all, of the shoes in the "Killer Heels" exhibit. The inanimate objects of my admiration had so much personality they could rival some people.
In the expert hands of French artist, Marie Christophe, wire is twisted and looped and coiled, meandering its way through glittering crystals and colorful beads, morphing into an elaborate chandelier or a whimsical sculpture.
Galliano describes "hearing the rustle of the taffeta" and "being able to smell the perfume on the girl." The glee that once was Galliano's shines through still, alive and well. Galliano brings fairy tales to life, although he's been very close to losing his own.
There is no death by Dior if we talk about art, there is only life by Dior. And in this book that so remorselessly brings to light long-ago misdeeds, there is something of a reminder how great art outlasts the residue of pain.
With her brand, Ella, Elinrós Lindal has made it her mission to provide luxurious clothing that make women feel beautiful and confident, while, at the same time, being mindful of the environmental and economical impact of the industry.