Presented by an entity that calls itself "New York's Piney Fork Press Theatre," the reading took place at a New York Public Library branch I'd also never heard of: the George Bruce branch on West 125th Street.
Crewe, one of the most successful songwriters and producers in pop-music history, died on Thursday at 82 after a long illness. It's a personal loss for me, because I got to know Crewe a bit when I helped produce and write liner notes for a box set of Four Seasons' hits in 2007.
Money isn't everything. These days, when people start complaining about their daily misfortunes, a friend or therapist might suggest that they sit down and draw up a "gratitude list" in order to better appreciate their assets and blessings which they so often take for granted.
Somehow it should seem appropriate that Inventing Mary Martin is as corny as Kansas in August. But the kind of corniness prevalent in conceiver-writer Stephen Cole's revue, at the York, tributing one of Broadway's great musical comedy leading ladies, is never welcome.
If you lust after New York the way you think it was during the time when Dorothy Parker, Robert Benchley and Alexander Wolcott made priceless remarks while getting drunk at the Algonquin Round Table don't miss Dirty Little Songs.
Truth is, Tyrell's effortlessly infallible phrasing has the effect of making what he does appealingly conversational. The emotion he's experiencing is a component of his seemingly off-handed -- smile-smile-smile -- style. Let's just say he's singing for all generations.
A series of shorts that were screened at the recent Frameline 37 Film Festival revealed thrilling combinations of imagination and technique. Some were animated, some were not. What each film boasted, however, was an abundance of fantastical possibilities.
In the tiny town of Nyack, in the shadows of the Tappan Zee Bridge, the Rockland County Jazz and Blues Society and the Nyack Library once again provide a superlative matching of two local jazz musicians as part of their Carnegie Concert series.
The budget was $105 million, and as the May 10 opening of Baz Lurhmann's 3D adaptation of The Great Gatsby approaches, it feels like another $105 million is being spent to promote it. Gatsby is everywhere -- but is this Gatsby?