Architecture has a long history of geometric inspiration and aesthetics (besides the obvious mathematical connections with engineering), going back at least to ancient Greece and the infusion of classical geometric shapes like squares and circles into their structures.
Her positivity could be a result of a childhood spent roaming around Hawaiian islands. It could be a culmination of a post college, mind-altering, backpacking trip through Europe and the immediate triumph of the harsh corporate world following.
Turovsky, who was born in 1961 in Kiev, Ukraine, emigrated with his family to New York City, making a brief stop in Rome, in 1979. I recently had the opportunity to ask Turovsky a few questions about his art.
With these pleasant reminders of the past and the present and their connections to contemporary inventiveness, I've had the unexpected and pleasurable experience of seeing great classic works within reach, up close and friendly.
While some works invite you to step up and take a closer look, the thrill of the space between, Warren Rosser's current exhibition at Sherry Leedy Contemporary Art in Kansas City, is standing back and allowing the eye to absorb it in full.
Americans responded to the art in the Armory Show with excitement, confusion, and dismay. Some members of the press called the exhibition's Gallery I, with its European modernist works, a "Chamber of Horrors."
Marie Laurencin's life spanned two world wars and a great economic depression, but these left no trace in her art. For most of her life, her art portrayed an unchanging dream world. The popularity her art enjoyed during her lifetime has now receded.
Since 2004, an Australian project called "Big Ones Little Ones" has marshaled the power of the feeling of accomplishment with a focus on special-needs children, the global community and a direct link to Aboriginal Australians.