The uniting of the worlds of visual art and music is a trend that is getting a boost from a major new exhibition at the Museum of Modern Art, focusing on the composer John Cage and his monumental -- and some would say notorious -- work, titled 4'33".
The conservator can talk about the nuts and bolts while I try and figure out what was going on in the artist's head and eye. In this case, what did Homer see, how did he chose to paint it, why that and how did he execute it.
Over the past few years, the tenacious Ms. Sancken has managed to amplify her voice in the testosterone driven art world -- not only through her ground breaking curatorial projects but also through her whimsical and poignant writings for a number of art magazines and blogs.
Although I grew up in New York and have lived there for many years, I have a summer studio in Maine. Every summer I pack up and go to paint following the tradition of so many of America's painters from Winslow Homer to Alex Katz.
I think the most significant and unique sacrifice arts workers make is that we lose the capacity for full, innocent and glorious enjoyment of the very art that our passion for drove us to make our life's work in the first place.