With Placebo, Melissa James Gibson, who's written some A-plus plays is intent on depicting the difficulty of keeping a love affair buoyant. The object of Louise's often-unrequited affection is Jonathan (William Jackson Harper), who appears to be housebound.
This week we get the revivals of Tom Stoppard's somewhat autobiographical The Real Thing (1982), at the American Airlines Theatre, and Terrence McNally's Lips Together, Teeth Apart (1991), at Second Stage's Tony Kiser Theatre.
At its core, The Last Ship poses a religious quest for redemption: Father Jim (Fred Applegate) hears Gideon's confession of sins of the flesh, drink, and foul talk. But hey, this father has a few foibles of his own.
Movie-goers haunted by the horror flick's final image will likely be waiting for it and dismayed when they don't get it. As they leave the theater, they'll realized they've had to settle for a not terrible but no more than mediocre version of Stephen King's prom-night nightmare inducer.