Now people are going to say there was no need for Williamstown to make a comeback, because it never went anywhere, but let me lay out my case.
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Detroit '67, the riveting new play by Dominique Morisseau, is a period piece, then again it is not.
Like The Flick, the new drama Detroit '67 is by a talented playwright. Both pieces have their flaws. But both artists have created vivid characters we want to spend time with.
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