Well if you don't know by now who won Project Runway, you've clearly been under some motherfreakin' rock, so let's just get this out of the way right now and move on to snarkily discuss some of the best moments of (at last) the Finale Finale.
The episode where Tim visits the finalists at home is always one of my very favorites. I love seeing Tim traipsing around the Midwest or some other area where he looks completely out of place. I love it when he does things we never see him do ordinarily.
The official Rock 'Em Sock 'Em Robots movie is still in the planning stages, but until then, we have Real Steel, the family-friendly take on a world in which the squared circle has been commandeered by mechanical pugilists while the humans stay safely in their seats.
Heidi tells them for this week's challenge "we really want you to spread your wings." They march off to the workroom where they are greeted by Uncle Tim and Collier Strong and an assortment of exotic birds making bird noises on their perches.
Day 2. Tim comes in to spring a surprise on them; they will be required to create a second Seventies-inspired look with a budget of $50. "I guess it's not so little," says Anya, who created her first look with a budget of $11.50.
Roland Emmerich's been making disaster films since time can remember, yet for all his besetting humans with floods, fires, and earthquakes, he's never managed to make something as resonant, affecting, and powerful as Take Shelter.
No matter how smart the direction, how poised the Kate, how fiery the lust between our violent lovers, The Taming of the Shrew is still a play about a mean woman tricked and trapped to the point of submission.
Tim tells them fashion and music are inextricably linked -- "Think about the Beatles! Or Lady Gaga!" -- and their friends at Garnier have partnered with Rolling Stone "to make rock and roll history" by presenting an unsigned band on the cover of the magazine.
Evan Glodell's Bellflower is the tale of two Southern Californians who fill their free time with speculations of the post-apocalyptic future and preparations for same that include the construction of Matilda, a bad-ass, black automobile.