I have the utmost respect for editors. It is their job to see that your book is readable and flows from start to finish. There will always be times, however, when disagreements about characters, lines, and scenes are going to happen. And those disagreements are a good thing.
The mysterious, mostly disappeared world of LIFE magazine is all still there: Staffers hacking at typewriters, beefing about the managing editor, draining double Scotches and martinis before lunch. At least in my mind it's still there.
"What's the opportunity here?" This is the phrase that was playing in my mind after a conversation with my daughter, who is, in her own right, a talented writer and editor -- with the possibility to also become a publisher in the future.
Reporters and editors excluded from membership are furious about results of the Lebanese Journalists Union (LJU) election so they're suing the syndicate and its president on charges of corruption, irregularities and violations of its bylaws.
As a multicultural society, we can no longer afford segregation in the publishing industry comprised of select gatekeepers who define the literary landscape based on their worldview. Words create worlds and the literary industry should represent a much broader one.
If you're an editor like myself, you have a lot of manuscripts to read. If you're a bookseller, you've got to stay on top of what's being published. This summer it seems like most of the editors and booksellers I know are reading A Little Life, Hanya Yanagihara's second novel.
Some people will waste a lifetime waiting for the Gatekeepers. I was almost one of those people. By nature, I'm a rule follower. Even unwritten rules. If there's a way something is "supposed to be done," that's how I'll do it. When I finished writing my first novel, I queried agents.
Don't look to this first wave of wearables for much that changes how journalists do their jobs gathering news. Coming next, however, are things such as a wrist-launched personal drone and jersey-mounted sports cameras that could open up whole new editorial approaches.
Ladies and gentlemen (or to avoid being gender-specific) members of The American Copy-Editors and Fact-Checkers Guild: It is my pleasure to welcome each one of you and, of course, "you" in the plural sense, to this evening's Hall of Fame Banquet.
Since 2012, my memoir has gone through multiple drafts and I've finally got to the core of the transformation. I'm definitely not the same writer I was going in. Here are three lessons to prove what I've learned so far about the memoir writing process and my story.
Do your best to get it right. If you do, great. If you don't, admit you got it wrong, fix it, even if hard, and try harder next time. And we should reward journalists and press outlets that are practicing good, honest journalism.
It wasn't just words and wordsmiths that Bradlee fought for. He was in continuous combat with his archrival, A.M. Rosenthal, the executive editor of the New York Times. They were both hugely talented men with larger-than-life personalities, and with enormous egos.