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El Anatsui

Migrations Real and Ideal: The Cultural Nomads We're Becoming (10 New York Shows in 2013 That Explored Nomadic Terrains)

G. Roger Denson | Posted 10.03.2014 | Arts
G. Roger Denson

Few works of art embody the spirit of contemporary nomadism more than the projected Orbit Rosse videoscapes of Grazi Toderi (2009-2013), composed from nocturnal aerial views of glittering cities around the world.

GRAVITY AND GRACE

Jaime Rojo & Steven Harrington | Posted 04.29.2013 | Arts
Jaime Rojo & Steven Harrington

Post-industrial African pointillist El Anatsui is outside at The High Line in Manhattan and inside the Brooklyn Museum right now to offer "Gravity and...

El Anatsui at the Brooklyn Museum

Bobby Elliott | Posted 04.27.2013 | Arts
Bobby Elliott

The real excitement surrounding El Anatsui's tapestries -- surrounding all of his work -- has to do with the belief that they are much more than offshoots or pretty objects.

Afraid of Nothing: The Art of Miriam Wosk

Edward Goldman | Posted 03.26.2013 | Arts
Edward Goldman

2013-01-24-miriampull.jpg

El Anatsui: Master of Proverbs

Chika Okeke-Agulu | Posted 03.25.2013 | Arts
Chika Okeke-Agulu

In between the stunning gestural forms Anatsui has made out of simple bottle tops... is tucked proverbs about knowledge, human action and the fate of our world. 2013-01-23-anatsuipull.jpg

El Anatsui at the Brodsky Center for Innovative Editions

Chika Okeke-Agulu | Posted 01.16.2013 | Arts
Chika Okeke-Agulu

El Anatsui came to the United States from Nigeria to install his work at The High Line, the Diller Scofidio + Renfro and James Corner-designed park in New York City.

WATCH: Why Denver's A Great Destination This Summer

Erin Harper | Posted 06.26.2012 | Travel
Erin Harper

With nearly 300 new restaurants, the addition of a history center, a new museum and more, this summer it will be easy for the city to attract visitors from across the U.S. and abroad.

Art in Earnest: Harlem-Based Artist, Tyson Hall

Eric J. Henderson | Posted 06.06.2012 | Arts
Eric J. Henderson

Hall dwells specifically at the intersection of Art and Policy, his work aiming to touch people in the everyday. That is so cliché that it hurts as I strip the meaning of that universality down to a feel-good thing to say. I don't mean it that way.