For this week's super-sized show, the MovieFilm gang is joined by Taz Ahmed and Zahra Noorbakhsh, hosts of the #GoodMuslimBadMuslim podcast, for a wide-ranging conversation about the pluses and (mostly) minuses of Terminator Genisys, the fifth film in the futuristic franchise.
It's been thirty-one years since the The Terminator first wowed audiences, and my fear as I stare down the abyss into the dark future is that they'll just keep cranking these things out forever and always until the end of time. They. Will. Not. Stop.
The eminently photogenic ladies of Game of Thrones are rocking magazine covers everywhere. The guys may seem a little lost in their dust, but they're doing their best to contribute to the massive publicity campaign that GoT engenders, too.
"Game of Thrones" is the most gorgeous show on television, a poetic, muddy, glorious epic made to be enjoyed in greedy HD marathons.
Truman Capote's glory days as a celebrated writer were revisited at the opening of Richard Greenberg's Breakfast at Tiffany's on Wednesday night at the Cort Theater.
This production misses the mark because it emphasizes the wrong sets of emotions. In a dark, noir-like setting, Holly gets wrapped up in the nightlife. Fred gets lost in the shuffle. But you never feel that either of them is comfortable in their own skin.
In the new production of Capote's adored Breakfast at Tiffany's at the Cort, Emilia Clarke, of Game of Thrones, is no long and skinny drink of water, but she's undeniably darkly beautiful.