Jean-Michel Basquiat's "Pegasus" (1987) has always intimidated me. It was usually one of the last works I showed students when I taught Basquiat, and I never said much about it. Its massive size, allover writing and symbols overwhelmed me.
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In Boston on November 22, 1963, hundreds of people learned about the tragedy -- not directly from media -- but from the conductor of the Boston Symphony Orchestra.
Known to Hitchcock buffs as Norman Bates' favorite symphony, Beethoven's "Eroica" bears more than a dirty-sounding name (although "eroica" is actually...
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