It seems easy to frighten oneself in the dark of night, but it takes a unique locale to stir fear in broad daylight. Despite our evolved sensibilities, humans are still, at our very core, programmed for self-preservation
In a way you can't fault underfunded New York City Opera general manager and artistic director George Steel for scheduling Anna Nicole, now at BAM, as the opening for what could be the revamped company's swan-song season.
Would I be the person I am today without Thatcher? Would I have worked as hard as I did at school, not flinch when debating a roomful of men -- or a Fox News host live on air -- without "The Iron Lady" as an example? I doubt it.
Barbara Muschietti is a native-Argentinean who has traveled the globe following her dream, to make feature films. This January, her supernatural thriller Mama, starring Jessica Chastain and Nikolaj Coster-Waldau, hits theaters.
Patti Issues is not just 90 minutes of gay diva worship, and Rimalower has wisely given the show a much-needed emotional core by balancing out the LuPone anecdotes with a compelling exploration of his troubled relationship with his father, who came out when Ben was 8.
Frankly, it's difficult to understand why Elena Roger was cast. Roger unquestionably does not posses the pipes to sing this part. The entire show is built around what should be the fiery performance at its heart, making this Evita very cool indeed.
Slash's first solo album shows continuity and expert songwriting despite all of the musical influences involved. But despite its being a solid release, the old school rock 'n' roll can sometimes get a little too reliable.