My friend, my supporter, my colleague -- whom I shared so many deeply personal stories with, as he shared stories of his life with me -- was leaving this world. I would no longer be able to call him, to see him or speak with him.
I caught up with Brendan to talk about his project, what he learned from Danny (that every artist needs to hear) and the moment he discovered tape of Lou Reed listening to The Ramones for the first time.
Some filmmakers make films to purely entertain the masses. During the summer blockbuster season, this is very apparent. However as this season comes to a close, audiences will begin to see the crop of "Oscar-worthy" films.
I've made 25 films in which I've done funny, I've done dramatic and conceptual and beautiful. In this film, I wanted to go for something I hadn't tried -- joyous. And I hoped to do that in a celebration of humanity.
Cover shoots for Vogue, music videos for global pop stars, celebrity portraits and the New York Times Screen Tests for T Magazine. This CV sounds like it belongs to an industry veteran, rather than 30-year-old Italian photographer cum filmmaker Francesco Carrozzini.
Stuart Gordon is, inarguably, one of the undisputed masters of the horror genre. With such landmark works as the cult classic Re-Animator under his belt, Gordon's filmic oeuvre has always sought to blend a touch of scholarly class with the genre's gory grand guignol.
Through testimonies of contemporary artists, in his documentaries Robert Adanto offers insight on how individuals cope with dramatic, life-altering situations, creatively. His latest documentary, explores life post-Hurricane Katrina.
That's why there's been lots of talk lately about the responsibility of filmmakers. They're told to think carefully about the images they conjure and to consider seriously the effect their films will have on a pliable society. But what about audience responsibility?
Backed by Kickstarter, Adams originally planned to release the film online but as he started meeting more people from the group, he grasped what the movie would really be about, which was the evolution of the group and the creative transitions from text to photo to HD video.
My movie's character is Sami Malik, an Indian who comes to 1970s America on a crazy quest for success and to impress a girl. While the bulk of the film involves his escapades with several misfit roommates, I still put the idea aside. Who wants to see a movie with brown people?