Andrew Pasquella's new paintings may not look like a return to basics. Their scored, shredded, black rubber skins are methodically violated by tearing, peeling, and the incisions of hand-held shrapnel scratching them to bits.
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Daniel Aksten's new exhibition asks you to not just to look at shape and color, but to experience them. As the show's title "Support, Edge, Variation"...
Though Craig will best be remembered for his 1960's Finish Fetish work in vacuum-formed three-dimensional plastic, I remember him best for his manner and quality of drawing.
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