When I was coming of age back in the '70s, Andrea Dworkin described herself as a feminist, but "not the fun kind," and I understood that I was going to represent the other side of that spectrum: I was going to be a feminist, but the really fun kind.
Let's remember that Dallas, the drama that made Hagman a household name, ran on CBS from 1978-1990, and was for many of those years the highest-rated series on television. Even when it began losing steam it remained in the coveted top ten.
Armstrong represented an America of really big dreams and of infinite possibility. Today, what passes for discourse in this country? Celebrity divorces? Politicians vilifying and dehumanizing one another over the relative merits of the federal budget?