There on the side street juxtaposed to Chivers, Mays and Dansby Halls, a crowd of more than two hundred wide-eyed, screaming students gathered with cell phones in hand stand ready to digitally record some unforgettable moment.
While there are still some remaining musical gems, there is too much talent out there for us to be forced to listen to garbage more often than not. The radio should be riddled with forceful rhymes, instead it's bass-filled beats to stifle the lack of skill on every track.
My generation must now assume responsibility for its actions. We need to work hand in hand with lawmakers to strike a balance in which copyright law protects existing intellectual property, but doesn't stifle the creation of future intangible assets.
Right now, Kendrick is king. His innovation runs deep, and I hope it runs deep enough to avoid the shallowness of an industry that too often neglects freshness and comfortably embraces the modus operandi.
Wednesday, Roc Nation recording artist J. Cole released the video for his new single "Crooked Smile." This powerful video is based on the 2010 murder of Aiyana Jones, a 7-year-old girl killed during a police raid in Detroit.
Christian Rich, the production team duo creating a name for themselves within music and style. From DJ sets at the Stussy store to touring Europe, these twin brothers always incorporate a unique sense of style when performing.
I think that performers can stay true to their roots while being sensitive to diversity and disability. You don't need to spew misogynistic lyrics, fuel homophobia in the urban community or use a serious condition that affects 1 in 88 children as an insult or a punch line.
Although "Crooked Smile" is a refreshing display of social awareness, it doesn't mean that Cole's entire album is warm and fuzzy. Rappers have the right to say what they want, and offensive lyrics aren't going away anytime soon.