Bloggers and social media can create quite a brouhaha over matters of cultural significance. What sounded like a deafening chorus of back-seat drivers analyzing Into The Woods for its inherent sexism, racism, and/or casting choices revealed high levels of personal umbrage combined with an inability to handle cruel but basic truths.
Into the Woods is everywhere, it seems, but it has not always been so. A world pre-Woods came flooding back to me recently as I sat enthralled by the sorcery of the Fiasco Theater's ingeniously homespun production now running (through April 12) at Roundabout's Laura Pels Theatre on West 46th Street.
Fairy tales, short stories, and playlets have a way of infecting the imagination to produce new variations on age-old themes. In June, Wily West Productions joined forces with the Playwrights Center of San Francisco to present Sheherezade 14, an evening of short plays written by local playwrights and directed by Wesley Cayabyab and Amy Crumpacker.