While dance for dance's sake is not new in ballet, neoclassical works, such as Millepied's, typically make the body an instrument of the music.
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As popular as P. G. Wodehouse and his creations, suave manservant Jeeves and first-prize twit Bertie Wooster, have been for almost 100 years, they've apparently never toddled onto a West End stage until -- wait for it! -- now.
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