With credits dating back to 1954, Roger Corman has one of Hollywood's longest running careers, and every step of the way has fearlessly pioneered ideas in filmmaking, through all of new media's many definitions over the decades.
It's back to the border for John Sayles, who in films like Lone Star has explored the distinctive tensions that brew in the towns that neighbor to Mexico. Now he's applying that worldview to the mystery thriller in Go for Sisters.
Thanks to a marvelously full-bodied performance by Michelle Yeoh and a complementary one by David Thewlis, The Lady overcomes its own obstacles -- principally ones of pacing -- to present a moving portrait of courage, resilience and conviction.
Director John Sayles is delving into history again, and this time it's a little bit of American adventurism in the early twentieth century that's frequently glossed over in the history books: the Philippine-American War.
Whether or not Tully's work will strike a chord with contemporary readers remains to be seen. Certainly, readers of Jack Kerouac, Charles Bukowski, William Vollmann or Stephen Elliott will find something of interest in Tully's stories and prose.
With the always raucous, spirited celebration of St. Patrick's Day on the near horizon here in New York City, my thoughts turn to the powerful mystique of Ireland, and the many outstanding films that reflect it.
Great activist movies portray the ongoing struggle between the welfare of working people and larger societal forces, seemingly beyond their control, that threaten their integrity, livelihood, and often, their very survival.