Could Picasso not again face what humanity had done? Did he recoil at the idea of any aesthetic response to horror and devastation on that scale? Or, in the face of such unimaginable suffering, did he find art unequal to the task?
When I told a French friend I was writing a book about his compatriots entitled Joie de Vivre, he smiled and asked "Is it fiction?" Yet another French friend reacted with a pained look, lamenting that "we used to have it."
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