In contemporary writing for the theater, it can sometimes seem as if there's an undeclared competition to determine which playwright can produce the most dysfunctional American family play out of all the dysfunctional American family plays going.
Given Petronio's NYC connection, it's no surprise that his company will perform at the Joyce Theater this week. There's no other venue that so aptly captures the haunting enthusiasm and open intimacy that the city harbors, all of which is reflected in Petronio's repertoire.
The Atlantic's Josh Green does not come close to proving that nasty infighting caused Clinton's loss. The piece is so far into the weeds that it misses the big, substantive problems that felled Hillary.