In the unbelievable cornucopia of riches that is the New York classical music scene we had three recent examples of the latter sort of tenor -- all excellent.
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The Metropolitan Opera offers proof that the double dealing, back-stabbing, larger-than-life emotion of Wagner rivals any of our great governmental dramas.
Los Angeles's opera elite massed to the walls of the Broad Stage to hear Juan Diego Florez, the celebrated Peruvian tenor.
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