Tthe hardships of living under the claustrophobic and brutal Belarusian regime of death squads, disappeared persons and jailings has gone under the radar. Hopefully, this documentary will boost concern and ignite interest and support for those who are suffering.
Woody Allen is up to his old tricks. Real ones, like pulling a rabbit out of a hat. In previous films he's played the magician role himself, but in Magic in the Moonlight he allows the dreamy Colin Firth to handle the willing suspension of disbelief.
Having seen it again, I can report that it's every bit as lively, as thoroughly hilarious and as consistently heart-tugging here as it was there, if not that much better for the cast members having enriched their performances while working at them longer.
Maybe it's because the studio movies at this time of year are so universally dreadful, but I find myself drawn to the smaller films that bite and snarl and generally have bad manners: Bad Words, The Raid 2 and, this week, Dom Hemingway.
I was on drugs back then: coke, booze, Xanax, anything I could get my hands on, really. It was 2002, and while Philip Seymour Hoffman's Hollywood career was skyrocketing, mine was a flameout from a jet engine careening backward down the wrong runway.
"When I think about brutality, I think about the destruction of love. I see my piece Love Story as an x-ray; a recorded moment of a relationship disintegrating."
I've seen over half a dozen Macbeths over the course of my career. We're going to have Romeo and Juliet running off-Broadway the same time it is running on Broadway. I'm often asked: Why? Yes, they are Shakespeare classics. But do people really want to see them again and again?
You've clocked two months of solid work since Christmas break and it's time for another escape.
Film: Side Effects (2013) Cast includes: Rooney Mara (The Girl with the Dragon Tattoo), Channing Tatum (Magic Mike), Jude Law (Enemy at the Gates), Ca...
I ask both men if there's a common occurrence of any sort of behavior-altering drug pushing anyone over a moral limit. "Alcohol," says Mr. Burns. But what about murder? "Alcohol," repeats Mr. Burns with a bit of a laugh.
Dear Steven Soderbergh: Please don't stop making movies. Your name is high on the list of filmmakers whose careers I'm thankful have coincided with my career as a movie critic. And Side Effects is further proof that you are at the height of your powers as a filmmaker.
I want to tell you about an exhibition -- of a sort -- consisting of hundreds if not thousands of striking images presented onscreen to an audience eager to get to know the latest version of Leo Tolstoy's spectacularly unhappy Anna Karenina.
With The Nightmare Before Christmas, Disney succeeded in extending the holiday film season from the beginning of November to the end of the year. Now, DreamWorks has upped the ante with Rise of the Guardians.
Imagine Bryan Singer's X-Mencrafted in a fashion where you were already expected to have read the comics and/or watched the 1990s cartoon before entering the theater and you have an idea of how this film plays out.
With Keira Knightley as the muse, Joe Wright and screenwriter Tom Stoppard transform Tolstoy's classic into a film that is emotionally wrenching, even as it turns the world it depicts inside out.
I arrived in Toronto on a muggy afternoon to be blown away by Joe Wright's adaptation of Tolstoy's Anna Karenina. But Wright should brace for some critical roughing up.