Woody Allen is up to his old tricks. Real ones, like pulling a rabbit out of a hat. In previous films he's played the magician role himself, but in Magic in the Moonlight he allows the dreamy Colin Firth to handle the willing suspension of disbelief.
Plays are revelations. Good plays, that is, and the better a play, the more revelatory it can be. And let's just say King Lear -- now at Theatre For a New Audience with Arin Arbus directing Michael Pennington in the title role -- easily falls into the better-play category.
It's just a fancy, but one can't help imagining that after the hellish experience of Spiderman: Turn Off The Dark, director Julie Taymor has been waiting to exhale for quite some time. That release comes in a burst of creativity for this production of A Midsummer Night's Dream.
To honor female filmmakers everywhere who are slowly but surely carving out a name for themselves in the film world, here's a list of the top 10 female directors who refuse to believe Hollywood is a man's world.
If one is lucky, certain theatrical moments reach out and grab an audience with their magic. For many of us devoted to the magic of live theater, it is the quest for a special kind of moment that keeps us coming back for more.
Makers is a term for all women, whether or not she calls herself a feminist, makes a home, works on a construction crew. She may be the first woman firefighter, first female brigadier general, or first woman orthodox rabbi.
In recent decades, movie musicals that began as full-length animation features and original movie musicals have become multi-million dollar stage vehicles drawing audiences into theatres in cities around the world.