At brunch at the Vault in the St. Regis Hotel last week, writer Aaron Sorkin spoke about his script, loosely based on Walter Isaacson's biography.
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I understand creative license and why films need to condense, simplify, fudge, and invent to create drama, but is there a point where this can be considered excessively dishonest?
Elisabeth Moss' new movie opens in a dim room with a closeup of her teary, mascara-stained face. She is finishing a conversation in which she learns h...
Inherent Vice squanders a strong start in an orgy of wheel-spinning. Perhaps Anderson is indulging himself with one of those lengthy jokes in which the punchline is that there's no punchline.
I haven't seen a Joaquin Phoenix film since I'm Still Here back in 2010. I was reminded of what a brilliant actor he is. Not only did he bring an innocence to a role that could have been played much darker, but he brought a physical humor to it.
Now at Second Stage Uptown we're given 29-year-old Leslye Headland's Bachelorette, which takes place in a hotel room the night before a wedding.
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