Even if a film is critical of Israel, it is also an expression of the open character of our democracy. This is why I was astonished by the outrageous statement by Scandar Copti, an Arab Israeli director, that he does not represent Israel.
This morning, women directors around the world will walk a little taller, smile a little brighter, and feel a bit stronger and more confident as they sweep up the glass that Katherine Bigelow shattered at the Oscars.
As Hollywood settles back into a more quotidian routine, its Oscargasm finally over and the glitz and glam neatly folded away till another season, it's a good time to take a look back at a few of this year's awards season highlights.
Just how many remarkably talented people work in the movie business was never more vivid to me than last night while hosting the show. Here are some of the things I will remember about last night's Oscars.
Bigelow's characters are human beings, every one capable of transgressing simple definitions, forcing us to think deeply about choices we make, and ultimately about human experience and our common "reality."
The Oscar event is one of the few remaining common grounds we Americans can talk about without having to listen to Sean Hannity or Keith Olbermann. Like the Super Bowl, watching is a major social event.