As Jason Bateman's new film, The Family Fang, shows, Bateman is a filmmaker with an edge and a vision. It was one of the better films I saw during a four-movie day Tuesday at the Toronto International Film Festival.
I had wanted to like The Visit as it was filmed where I live and that is the beauteous surroundings of suburban Philadelphia and its Chestnut Hill area, but The Visit is one big narcissistic flop. Waiting to be scared is boring.
There are no easy laughs in The D Train. This humor is earned the hard way... cutting into character and peeling back the skin. The character Black creates, Dan Landsman, is the undistinguished, forgettable nebbish who has never left his hometown.
I hit the ground running, arriving not-quite midway into the 2015 Sundance Film Festival in time to crank out a five-movie day on Sunday. That's less a testament to my stamina than to luck and logistics.
If I were going to make a 10-best list, it would probably include films like Boyhood, The Imitation Game and Selma, among others that will be on everyone's list. But, as good as those films are, none of them are on my list of favorites.
This summer has felt like a particularly strong one for women in independent film. Now, Kathryn Hahn makes a wonderful (mostly) dramatic turn in Afternoon Delight, a film about a woman who attempts to bring meaning to her life by letting a stripper move in with her family.
Comedy is subjective, so there are bound to be haters for We're the Millers. But, speaking as someone who enjoys vulgar humor that is both mean and smart, I can tell you that I laughed a lot during this brisk, consistently funny movie.
Afternoon Delight's realistic portrayal of women's lives and its cast of women characters make it a refreshing change from most female-centric movies. First-time feature director Jill Soloway has created a film that is both hilarious and sad, and real but still fun.