Anna Karenina, one of last year's most talked-about productions, is a product of a longstanding friendship between a director and his muse. The relationship between Knightley and Wright harks back to that 2005 adaptation of Pride and Prejudice. Then came 2007's Atonement.
As part of their "Best of 2012" series, the good folks at MOMI are screening David Cronenberg's film adaptation of the great Don Delilo's 2000 novel, Cosmopolis. Both are worth your time. Note to purists: skip this review, the film, and read the book first.
With Keira Knightley as the muse, Joe Wright and screenwriter Tom Stoppard transform Tolstoy's classic into a film that is emotionally wrenching, even as it turns the world it depicts inside out.
A lot of other leading 2012 Best Picture contenders have similar problems -- they don't fit classic Oscar theories -- and that's confounding a lot of us experts. Our crystal balls are suddenly cloudy.
I arrived in Toronto on a muggy afternoon to be blown away by Joe Wright's adaptation of Tolstoy's Anna Karenina. But Wright should brace for some critical roughing up.
There is a difference between showing concern and making someone feel uncomfortable with their own body.
Another daring redefinition of the family film from the people who turned a near-dialogue-free tale about a love-struck robot, an adventure about a cantankerous, air-bound septuagenarian, and a fantasy about a culinary-obsessed rat into worldwide, critical and commercial hits?
Scafaria, who wrote the script for Nick and Norah's Infinite Playlist, says she was pushed to end life on Earth by her experience on that earlier film -- and by the growing media interest in the Mayan calendar's supposed prediction of the world ending in 2012.
As I punched various female celebrity names into Google's keyword tool, I soon realized that Beyoncé was nowhere near the most popular -- that accolade goes to Lady GaGa, with a massive 40,500 Google searches per month.
The cinematic pickings remain relatively slim this spring, but there are always isolated bright spots here and there. Any month when I can spotlight w...
At the elegant National Board of Review's Awards Gala at Cipriani 42nd Street this week, fine films were respectfully feted. But, those speeches! On this occasion coming up on the Golden Globes weekend, a subtext emerged.
David Cronenberg's A Dangerous Method is about the talking cure - specifically, the kind of talk therapy pioneered by Sigmund Freud and Carl Jung at t...
In spite of all of her accomplishments, Sabrina Spielrein will now mostly known as the patient who slept with Carl Jung.
While hugely charismatic, Fassbender does not trade on personality, presenting an Everyman who resonates with the public and stays recognizable from film to film. Think George Clooney and Tom Hanks.
While William Monahan's London Boulevard has a certain sadistic familiarity, it also has the kind of edge that too few movies allow themselves.
In A Dangerous Method, David Cronenberg has fashioned the thinking person's action movie. Instead of cars exploding and weapons blasting, great minds duel over the forces driving human behavior during the period that saw the burgeoning of psychoanalysis.