Artists are using code to consider the nature of reality, which of course has been a philosophical quest since the beginning of time. Coding not only influences content, but also form.
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Unsuprisingly, given Manovich's stated desire to avoid generalizations about technology, Software Takes Command is most successful when offering a detailed analysis of specific media software.
Many of us have become daily producers/reproducers of cultural content, and it is technology that has made this possible.
In this post, I examine the work of Christine Wilks who ingeniously complicates the matter/information duality by employing computer code in the form of games to re-invoke embodied existence and the unreliable memories that bodies store.
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