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Marcelo Alvarez

Fall 2016 Opera Preview: Here's What You Shouldn't Miss

ZEALnyc | Posted 09.22.2016 | Arts
Read More: New York Opera, Amanda Woodbury, South African Soprano Pretty Yende Sing Juliette, American Symphony Orchestra, Anna Netrebko, Marcelo Alvarez, Sir Richard Eyre Manon Lescaut, Asenath Nicholson Annals of the Famine in Ireland, Baritone Gerald Finley in Metropolitan Opera Guillaume Tell, Tenor Javier Camarena, Bel Canto, Soprano Sondra Radvanovsky, Superstar, Donizetti's Tudor Queen Trilogy, Billionaire Hedge Fund Manager Roy Niederhoffer, Brooklyn Academy of Music, Carnegie Hall, Ian Bostridge, Catherine Naglestad Salome, David Lang the Loser, Donnacha Dennehy the Hunger, Elektra Patrice Chereau, Esa-Pekka Salonen, New York Philharmonic, Finnish Composer Kaija Saariaho Circle Map Lumiere Et Pesanteur, Fall 2016 Opera Preview: Here's What You Shouldn't Miss, Gerald Barry's Ebullient the Importance of Being Earnest, Harold Prince Candide, Jazz at Lincoln Center's Rose Theater, Joyce DiDonato, Kelli O'Hara, Krenek's Der Dictator, Lachain Glen, Met's New Mariusz Trelinski Tristan Und Isolde, Sir Simon Rattle, Nina Stemme, New York City Opera Reprieve From Bankruptcy, Pagliacci With Aleko Rachmaninoff, Park Avenue Armory Louis Andriessen Expansive De Materie, Peter Eotvos Angels in America, Peter Sellars St. Matthew Passion, Robert Lapage, Damnation of Faust, The Ring, Kaija Saariaho L'amour De Loin, Rosinni Guillaume Tell Pierre Audi, Soprano Christine Goerke Big Success Elektra at Carnegie Hall, Boston Symphony and Andris Nelsons, Soprano Diana Damrau, Tenor Vitorrio Grigolo, Manon, Bartlett Sher Gounod's Lush Romeo Et Juliette, Soprano Jennifer Zetlan Lonh, Stephen Costello Sings Romeo, Strauss Day of Peace, Stuart Skelton Sings Tristan, Ekaterina Gubanova, Evgeny Nikitin, Rene Pape, Susanna Phillips and Eric Owens, Swedish Soprano Nina Stemme Isolde, Tobin Stokes and Heather Raffia's Fallujah, William Kentridge, Coloratura Soprano Marlis Petersen Lulu, Arts News

Mark McLaren, ZEALnyc Editor in Chief, September 9, 2016 If you follow opera like I follow opera, you'll know that last season was an exciting one in...

The Case for Obstructed-View Seats

David Browning | Posted 02.02.2013 | Arts
David Browning

For any opera to defy the Met's attempts at complete destruction and yet allow me to leave humming its beautiful melodies instead of fuming about the production is remarkable.