If anything, the disconnect between the studios and quality films is more pronounced now than it's ever been. Hollywood's solution? Open up more slots in the best-picture category, in hopes of tricking Oscar voters into nominating some box-office hits as well as the arthouse fare that seems to dominate the awards.
My last day at the Sundance Film Festival ended with a big bang: The Raid 2, Gareth Evans' sequel to his eye-popping 2011 action film The Raid. And it was a good day prior to that, with a pair of mysterious films -- one a sci-fi thriller, one a marital comedy -- and most of an eye-opening documentary.