There's been a lot of excitement about Olivier Assayas' Carlos, and it's not hard to see why. But here's my objection: In presenting a terrorist as an action hero, it glorifies terrorism as a legitimate path of political action.
As anthology films go, Freakonomics is an entertaining -- if occasionally scattershot -- documentary. But then, that was the nature of the book by Steven Levitt and Stephen Dubner, upon which the film was based.
American remakes of foreign films? That would be a 'no' vote. Having said that, I can heartily recommend Let Me In, the moody, touching American remake of the Swedish vampire film, Let the Right One In, from 2008.
Is a movie like Buried an actor's greatest dream -- or his worst nightmare? On the one hand, the camera is on you for the whole film. On the other hand, you spend the entire movie confined to a space the size of a coffin.
Oliver Stone is never content to just make one movie; he always makes several, then squeezes them all together into one engorged package, chockablock with gaudy visuals, oversized characters and unchecked passion.