How much you enjoy Guillermo del Toro's sprawling, exciting and exceptionally imaginative Pacific Rim may have to do with how much of a sucker you still are for those movies that make you feel like a little kid, watching them with giddy excitement.
Like Antoine Fuqua's March release, Roland Emmerich's White House Down is a Die Hard clone, about a well-intended and highly skilled former military and law man who just happens to be the only one in the position to foil the terrorists doing the attacking.
What if you were a skeptic -- and your very skepticism resulted in you missing out on the very thing you refused to believe in? That's also the comic notion at the heart of Seth Rogen and Evan Goldberg's This Is the End,.
The Purge is a high-concept blunt instrument of a thriller, a movie that offers a straightforward set-up and few subsequent surprises. It does exactly what you expect and doesn't really go anywhere you don't assume it will.
I want to applaud Joss Whedon's Much Ado About Nothing for all the things it does right, and I will. But Whedon's side project -- between his various TV and Marvel-related entertainments -- gets one thing unfortunately wrong: It's never very funny.
Shown at Sundance under the title Toy's House, Jordan Vogt-Roberts' The Kings of Summer is a coming-of-age tale that touches a lot of bases and explores a variety of tones in ways that most films are too timid to do.
I often note how difficult it is to create a comedy that's not only smart and funny but also charming and surprising. But first-time director Craig Zisk, a TV veteran, has done that with The English Teacher.
Never a filmmaker for whom story seemed particularly important, Baumbach collaborated here with his star, Greta Gerwig, for what feels like an amorphous and fragmentary story of a delusional young woman who doesn't seem to want to grow up.