Dear Steven Soderbergh: Please don't stop making movies. Your name is high on the list of filmmakers whose careers I'm thankful have coincided with my career as a movie critic. And Side Effects is further proof that you are at the height of your powers as a filmmaker.
It's one thing when documentaries like Davis Guggenheim's Waiting for 'Superman and Madeleine Sackler's much better The Lottery look at problems in public education and offer some solutions (such as charter schools).
Kirby Dick's shocking documentary, The Invisible War, details a small part of what seems like an epidemic -- not just of sexual assault in the military but of the closed-ranks mentality that keeps the outrage from bubbling into public view.
Don't trust the trailers for Anne Renton's The Perfect Family. They make it look like an irreverent, iconoclastic satire, one that attacks hypocrisy among the pious -- like something from the Farrelly brothers or, perhaps, John Waters.
Friends with Kids is never as funny as I wanted it to be -- but I'm starting to think that few films can be. It's a smart romantic comedy that should amuse both halves of the couples who see it on date night.
Puss in Boots 3D is about what you'd expect -- a two-dimensional comedy shown with technology to make you believe you're seeing something you're not. And one of the things you're not seeing -- or, rather, hearing -- is witty dialogue.