iOS app Android app

Marshall Fine

Week in Film: Begin Again, Whitey and More

Marshall Fine | Posted 06.24.2014 | Entertainment
Marshall Fine

Begin Again comes from writer-director John Carney, who burst forth with Once a few years ago. This film, which stars Keira Knightly and Mark Ruffalo (among others), captures the same blend of wistful emotions and life-affirming musical energy as that 2006 hit.

Paul Haggis Speaks in Third Person

Marshall Fine | Posted 06.18.2014 | Entertainment
Marshall Fine

Third Person, which stars Liam Neeson, Olivia Wilde, Adrien Brody and Mila Kunis, among others, is yet another attempt by writer-director Haggis to subvert the expectations of the people who come to see his films.

Week in Film: 22 Jump Street, The Signal and More

Marshall Fine | Posted 06.13.2014 | Entertainment
Marshall Fine

After I saw 22 Jump Street, I noted publicly that, while it was funnier than 21 Jump Street, so was my root canal. (Although the latter did include laughing gas.) Still, the bar wasn't particularly high.

Week in Film: Maleficent, Million Ways to Die and More

Marshall Fine | Posted 05.30.2014 | Entertainment
Marshall Fine

I'm not going to apologize for laughing my ass off at Seth MacFarlane's A Million Ways to Die in the West.

Saying 'No' to Horror Movies

Marshall Fine | Posted 05.27.2014 | Entertainment
Marshall Fine

For starters, I have no interest in the supernatural and paranormal -- mostly because I don't believe in it. (Of course, that's the perfect set-up for a horror story.) I've never had a paranormal experience, though I'm sure there are people who believe they have.

Week in Film: X-Men, Love Punch, Words and Pictures

Marshall Fine | Posted 05.22.2014 | Entertainment
Marshall Fine

If you're keeping score at home, of the three Marvel comic-book movies so far this summer (a term I use advisedly for a season that technically doesn't start for another month), X-Men: Days of Future Past outranks Amazing Spider-Man 2 and is about on a par with Captain America: The Winter Soldier.

Interview: Richard Ayoade Seeing Double

Marshall Fine | Posted 05.20.2014 | Entertainment
Marshall Fine

Gloomy, claustrophobic and haunting, Richard Ayoade's second film, The Double, has been described by some as a dark comedy, a label that leaves Ayoade scratching his distinctive head.

Interview: Griffin Dunne and The Discoverers

Marshall Fine | Posted 05.15.2014 | Entertainment
Marshall Fine

It's been a while since someone offered Griffin Dunne the chance to be the star of a movie. Or at least one that he wanted to star in. So when Justin Schwarz approached him with The Discoverers, Dunne was ready to say yes -- and is glad he did.

Why Godzilla Sucks

Marshall Fine | Posted 05.14.2014 | Entertainment
Marshall Fine

There are lots of movies that make Gareth Edwards' new Godzilla look like a masterpiece. That, however, is not the same as saying that this movie is actually worth seeing or, more crucially, worth making in the first place.

Week in Film: Million Dollar Arm, A Short History of Decay and More

Marshall Fine | Posted 05.13.2014 | Entertainment
Marshall Fine

While not perfect, it is more than just a feel-good sports movie about overcoming obstacles (though it is, in fact, that). Million Dollar Arm is less a movie about sports (in this case, baseball) than a film about one man's transformation from sports agent to human being.

Week in Film: Neighbors, Chef and more

Marshall Fine | Posted 07.09.2014 | Entertainment
Marshall Fine

Neighbors may not be a particularly well-thought-out film (huge third-act problems). But it has some of the biggest sustained laughs of the summer.

Week in Film: Amazing Spider-Man 2 and More

Marshall Fine | Posted 06.30.2014 | Entertainment
Marshall Fine

Yes, yes, I know -- spidermanspidermanspidermanspiderman. I'll get to it. But my favorite movies of the week, as usual, are the small ones. Let's start with Amma Asante's Belle, a Jane Austen-ish film based on a true story.

Why Selfies Have Taken Over the World

Marshall Fine | Posted 06.29.2014 | Entertainment
Marshall Fine

I understand the selfie urge. That "look at me" cry for attention is something that is stifled in us from childhood. It's considered unseemly, untoward, to be so desperate for attention. There is an institution for people who can't keep it under control: It's called "show business."

Live From the Tribeca Film Festival

Marshall Fine | Posted 06.22.2014 | Entertainment
Marshall Fine

Not to label it a leftover festival, but there is the sense that the movies in Tribeca have either already had their debut elsewhere or, more to the point, didn't have a debut elsewhere because they didn't make the cut. Still, I always enjoy the opportunity that Tribeca affords me as a critic and curator.

Week in Film: Transcendence, Fading Gigolo

Marshall Fine | Posted 06.18.2014 | Entertainment
Marshall Fine

There are so many potentially interesting elements swirling around Wally Pfister's Transcendence - something old, new, borrowed and blue - that the...

The Cream Rises

Marshall Fine | Posted 06.15.2014 | Entertainment
Marshall Fine

I will take a day and a stack of screeners (or links) and apply my 20-minute rule: I'll watch for 20 minutes and then decide if it's worth continuing. Many don't even take that long. Because a movie worth watching announces itself almost from its first frame.

Anthony Chen Cracks Singapore's Arthouse Market

Marshall Fine | Posted 06.04.2014 | Entertainment
Marshall Fine

The cinematic landscape in Chen's native Singapore, he says, is something of a vacuum, dominated by genre films: "Nine out of 10 films are either slapstick or horror or comedy -- and the industry in Singapore only produces 10 to 15 films a year," the London-based Chen says.

Week in Film: Captain America 2, Dom Hemingway and More

Marshall Fine | Posted 06.01.2014 | Entertainment
Marshall Fine

Maybe it's because the studio movies at this time of year are so universally dreadful, but I find myself drawn to the smaller films that bite and snarl and generally have bad manners: Bad Words, The Raid 2 and, this week, Dom Hemingway.

The Week in Movies: Divergent, Muppets Most Wanted and More

Marshall Fine | Posted 05.20.2014 | Entertainment
Marshall Fine

So is Divergent the new Hunger Games? Or Twilight? Or even Harry Potter?

Thoughts on a Weekend in Venice

Marshall Fine | Posted 05.17.2014 | Travel
Marshall Fine

Venice outstripped any expectations I might have brought to the experience. It was far more cinematic than any movie could do justice to.

Week in Film: Grand Budapest Hotel, The Face of Love

Marshall Fine | Posted 05.05.2014 | Entertainment
Marshall Fine

How do I love the work of Wes Anderson? Let me count the ways. Anderson may be the most consistently original filmmaker to emerge during the 25 years I've been writing about film in New York.

One-screen Guy in a Two-screen World

Marshall Fine | Posted 05.04.2014 | Entertainment
Marshall Fine

I came to a realization on Monday morning, after the Oscars: I don't think I have what it takes to be part of the two-screen world. Which, increasingly, is what we seem to be living in.

Why No One Cares About This Year's Oscars

Marshall Fine | Posted 04.29.2014 | Entertainment
Marshall Fine

If anything, the disconnect between the studios and quality films is more pronounced now than it's ever been. Hollywood's solution? Open up more slots in the best-picture category, in hopes of tricking Oscar voters into nominating some box-office hits as well as the arthouse fare that seems to dominate the awards.

Movie Review: Non-Stop

Marshall Fine | Posted 04.28.2014 | Entertainment
Marshall Fine

If you crossed a disaster film from the 1970s with a low-budget action-thriller from the last five years, you'd get something that looks like Non-Stop.

Movie Review: The Lunchbox

Marshall Fine | Posted 04.27.2014 | Entertainment
Marshall Fine

Ritesh Batra's moving, subtly witty and perceptive film, opening Friday in limited release, is a showcase for its two stars, the marvelous Irrfan Khan and Nimrat Kaur, who is a fresh face to me and an actress capable of the kind of interior life that Khan always brings to the screen.