If Terrence Malick's The Tree of Life was too much the dialogue-driven, story-heavy film for your liking, you'll probably be more in the mood for his latest, To the Wonder, which features Ben Affleck, Rachel McAdams and Olga Kurylenko in its cast.
To say that Evil Dead is a film for a specific audience is an understatement. If things like dismemberment and self-mutilation make you queasy -- as they would any normal person -- then you probably shouldn't even visit the same multiplex where this film is showing.
This is a film that challenges the audience to plug into the story and stick with it. But if you do, it pays off with a portrait of a manipulative, dark character, one who continually surprises the viewer with his choices.
Andrew Niccol's film of The Host starts so well that, when it suddenly slows to a crawl 20 minutes later, your impulse is to give it some slack -- to let it find its feet and get back on track.
Unfortunately, it never does.
At this point in movie history, the Hollywood studios are to movies what McDonald's is to cuisine: a factory producing products that are nearly identical in their lack of depth, quality or concern for the viewing audience's intellect.
A second-rate Die Hard knock-off with Gerard Butler playing the Bruce Willis role, Olympus Has Fallen is preposterously overblown, an action movie that seems to prove the old saying: If brains were gunpowder, this movie wouldn't have enough to blow its own nose.
A blend of archival footage and recreations of the cave and these people in their younger days, No Place on Earth is both a reminder of a horrifying period in history and a primer on the resilience and determination of which human beings are capable.
The darling of the Australian Academy Awards and a hit on the festival circuit, The Sapphires is that pure treat: an aggressively entertaining movie about the struggle, uplift, romance and joy of music.
The Incredible Burt Wonderstone is a movie for 8-year-olds who haven't seen a lot of movies and provide fresh eyes for its tired gags. Anyone older will see every punchline coming long before it arrives.
Everyone knows who Gen. Douglas MacArthur was. But Gen. Bonner Fellers? Not so much. So when actor Matthew Fox took on the role of Fellers in Emperor, which opened in limited release March 8, he figured the interpretation was up to him.
It's populated with characters who seem to have no interior life -- only a devotion to the pursuit of sensation via the eternal party. And, in his own oblique way, Korine offers commentary about just how empty that world is.
Why would a movie studio try to stop critics from reviewing movies? It's called a review embargo -- and it seems a little self-explanatory. But still, I'd like to take this opportunity to discuss a little movie-critic inside-baseball stuff. Perhaps we can get a larger discussion going.
Emperor doesn't reimagine history so much as use it as the jumping-off point for a fictional historical romance set against the backdrop of impending war, when everything seems more vital and in-the-moment. Except for this sometimes plodding film.
Not to put too fine a point on it, but as someone who was working as a rock critic for the first decade and a half of Journey's existence, I always regarded them as unexplainably popular, an at-best thoroughly mediocre hit-making machine.