The American Ballet Theatre recently announced that Misty Copeland would be promoted to the role of principal dancer, the first African-American woman to be named to this esteemed role in the world of ballet.
Last week's premiere at San Francisco Ballet proved to be an all-around artistic feat - again for Ratmansky, for the entire company of San Francisco Ballet and, yes, for Shostakovich who had not penned these compositions for the ballet stage.
Inspiration and creativity are so elusively interwoven that the most compelling and important new art is always a collaboration, perhaps unrecognized, with whatever past accomplishment made the present what it is.
There are genius nurses, genius firemen, genius parents and genius accountants. Genius relates to the how even more than to the what. When we bring light to the world -- when our actions increase beauty, truth and love -- we know that we're following our genius.
I love dancers' parties. The floor's full and no one's drunk, with every style and move you can think of unleashed, celebrated, spun, from electric boogaloo to sixties go-go to glam jazz to the running man.
If human centipedes, Houdini-like escapes, Cirque de Soleil-style aerial acrobatics and lots of very sexy, muscular performers in dance belts appeal to your sense of fun and aesthetics, then Pilobolus' annual run at the Joyce Theater should be your cup of tea.
Nazarian selected 20 stirring success stories of women, some living and some deceased, who have made a difference. The list includes writers, artists, politicians, spiritual leaders, business moguls, architects, athletes and activists.