I have concluded that America's Evangelical church covers up America's structural racism, helps to hide it, and is thereby complicit in the abuse.
Bracing an icy rain, Harry Belafonte, Gay Talese, Henry Louis Gates, Jr., Ruben Santiago Hudson, Phylicia Rashad, Gayle King, Tamron Hall, and many ot...
Given the gap between the races that has now emerged from the shadows, today such a choice would be controversial, but few complained then about the selection of a white man to head the nation's most prominent law reform organization.
There is a "people's history" of Selma that we all can learn from -- one that is needed especially now.
I recently interviewed Richard Valeriani, a former NBC News correspondent and friend who both covered Selma and watched Selma. He himself suffered a head injury just weeks before the March 7 "Bloody Sunday" march across Edmund Pettus Bridge. Here is what he had to say about the film; in true form, he had some criticisms as well as some kudos.
What Johnson knew or worse authorized Hoover to do to thwart King will never be fully known. But as Selma pointed out, Hoover's gutter campaign against King happened on Johnson's watch, and he did nothing to stop it.
It is not possible for anyone other than me to know my gender. But I cannot hate the people whose actions and beliefs are at the very root of why a transgender teenager would find it necessary to end their own life.
While Selma plays in theaters across the United States, men and women march on once again in the name of equality. Selma shows us that much progress has been made. Reality shows us that we still have a long way to go.
R.I.P. Martin Luther King. Your story has been told. Your legacy passed on. Your strategies for non-violent demonstrations shared. Your ability for changing hearts, minds and laws well-documented.
Ava DuVernay's Selma could be subtitled "behind the scenes of a hagiography." Apart from the stock footage of The famous march from Selma to Montgomery it's not cinema verite in the style of say The Battle of Algiers.
"You" and "me" became "we" in service to our shared needs. But when other groups showed up, "we" became "us," a tribe opposed to "them." Violence and destruction too often followed, and we still search for a shared morality that works across tribes.
I have also recently viewed the movie in its entirety. It was not the final cut, but it was done enough for me to offer some thoughts about why this may be one of the most important films to be released in a while.
In 1964, at the height of the civil rights movement, the great organizer Ella Baker said: "Until the killing of black men, black mothers' sons, becomes as important to the rest of the country as the killing of a white mother's sons, we who believe in freedom cannot rest."
The idea of Important differs from Best: for American Sniper, Selma, and Unbroken, Best is beside the point. Each film is enormously engaging, highly recommended, and grounded in history on a large canvas.
In Selma, we see the most private moments of Dr. King with his wife, their relationship strained by his activism and the risks he is taking, and by tapes the FBI sent to Mrs. King revealing her husband's affairs. Oyelowo explained why those scenes were "a gift" to him as an actor.
It is very likely that generations coming of age today will abandon -- out of choice or necessity -- the Dream of consumption and replace it with their own definition. The Dream is evolving, not dying.