You may be asking yourself, so how relevant can a 1930s show taking place aboard a cruise ship, starring a gangster and a plucky cabaret singer and featuring a couple of crisscrossed lovers really be in 2012 NYC? The short answer is very.
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By the end of Edelstein's misguided production at the Roundabout Theatre, I wanted to put a long distance between myself and it. And so should anyone who values the The Glass Menagerie.
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