Now another generation gets to see a new adaptation of Matilda from its original stage performances in England, starting back in 2010-11 onward to its Broadway debut in 2013 and its touring company that started last summer.
I think we've all gotten too used to actors doing less than eight performances a week. And we're also all too accepting of my least favorite trend -- the whole "s/he'll only do 6 performances a week but we won't tell you which" phenomenon.
Seattle's 5th Avenue Theatre presentation of the Broadway hit musical Matilda is a family-oriented show highlighted by outstanding performances and a staging that keeps the audience engaged throughout.
Compounding the trouble for Heisler is that she hasn't constructed a taut version of the old story. Her treatment, perhaps due to unwisely hewing to the film, is overrun with plot diversions and digressions.
What brings people to the theater? I talk a lot about that each day with various producers and press agents. Of course, if anyone really knew an exact answer, many more shows would be successful. Instead we all try our best to guess.
It's a little hard for me because I tend to think more in terms of Tony Awards seasons and less in terms of calendar years. That said, "favorite show" is not "favorite new show;" it is really "favorite show open in 2014," which is easier.
Is this the best fall theater season in years? I think so. While I don't do reviews really, I felt the need to discuss this amazing season we're having. It would kick last season's butt in almost any competition.
I am happy Gentleman's Guide won the Tony Award. I didn't care ahead of the big night (unlike the previous year, when I desperately wanted Matilda), but, sitting there with a full house, I was happy for it and the audiences who will leave laughing.
As camp season arrives, we can't tell our children not to play next to each other or bunk together. That is what camp is about. But we can certainly acknowledge that lice strikes anyone, and we can be on the lookout for the signs of lice