Cabaret is fascinatingly structured, mirroring the societal infiltration of Nazism in the 1930s. It is insidious in its nature. As an audience, we are swept up in the decadence, debauchery, passion and lust that is presented.
What are the Tonys here for if not to honor theatrical creativity? What creativity is there in remounting a production at its last home? Why is a revival that exactly duplicates a revival capable of being nominated?