"Widow's weeds" originally intended to simplify the female form and shroud a woman's grief, but the Metropolitan's new exhibit "Death Becomes Her" proves that these ensembles did just the opposite.
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Why not take a few minutes between window shopping and sucking down Christmas cheer to celebrate the most fascinating, most allusive, most charming historical figure?
Potter's work accesses a place in my mind (and I am sure many others) that's become a distant valley as I get older. His work has a childlike innocence that resounds through the ages.
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