Nearly two decades out, Ethan Hunt has become the star's signature role, and at 53, the indefatigable action hero hasn't lost a step as he runs, jumps, rides and drives from eye-popping set piece to the next with both will and skill.
Inside Out is a great movie for kids and families to see together. It's especially apt for kids whose parents have gone through a divorce. Much like Riley's struggle to adapt to a new city, kids who have experienced divorce will know what it's like to manage big life changes.
It's just aggressively mediocre, and pretty much vanishes from your brainpan as soon as the credits start rolling and you've hit your mental "reset" button on your way out the door. In that sense, I guess it fits right in with the extensive oeuvre of star Adam Sandler.
This project started with actress/producer Viola Davis and screenwriter Pat Gilfillan who spent two years interviewing mothers of murdered children to prep for the script. Davis and co-star Jennifer Lopez worked together originally on the film Out of Sight back in 1998.
I believe comic-book movies -- and the overweening Comic-Con mentality that has consumed the Hollywood studios -- are strangling the movie industry, in part because these movies are so generic. Which may be why I enjoyed Ant-Man so much.
Right around the point where the titular heroes were laying waste to seemingly endless hordes of robotic drones, with laser beams and rubble and wreckage flying hither and thither, I realized I was having a real hard time staying interested in any of what was happening.
To my mind, Trainwreck is both a very funny movie -- and yet another example of Apatow's inability to edit himself. Like every movie he's made, this one has several big laughs -- and could easily be 20 minutes shorter.
The idea of human consciousness going mobile is an intriguing one: What if you could actually trade minds with another person? That's the premise of Self/less, a disappointing mind-transfer tale notable for its performances if not its dramaturgy.
At one point in this sweet gem of a documentary, two tap dancers from different parts of the world define the joy and philosophy of tap dancing: "Dance to express, not to impress" says Chloe Arnold of the U.S. "I dance, therefore I am," states Arthur Benhamou of Paris.
It's been thirty-one years since the The Terminator first wowed audiences, and my fear as I stare down the abyss into the dark future is that they'll just keep cranking these things out forever and always until the end of time. They. Will. Not. Stop.
Dana Nachman's touching, funny nonfiction film, Batkid Begins, is sheer delight. Instead of something maudlin and manipulative, Nachman has assembled what may be the year's most joyous and surprising movie.
What the documentary the filmmakers have assembled is educational, eye opening, often emotional, sad and galvanizing. As the 98 minutes of footage roll by, it becomes apparent that Jordan's tragedy is a chapter within a much longer book.
What I appreciate about Love & Mercy, the fantastic new film about Brian Wilson of the Beach Boys, is its assertion that true musical genius is an ineffable gift -- and potentially a curse -- bestowed upon the rare few.
I have to recognize, I knew almost nothing about the tragedy that happened almost 30 years ago in Chernobyl, Ukraine. The nuclear power plant accident was catastrophic, and its effects on the population were beyond human comprehension.