Can ancient understandings address contemporary arts curricula's growing dependence upon technology?
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Back when the big labels were rolling in money they could afford to invest in diversity in their catalogs. Now the business has been reduced to 'crank up the computer and crank out another track' exactly like the last hit.
The history of the FCC is replete with examples of attempts to apply decency rules and censorship to content. Should we believe that 'this time it's different?'
L.A. Live's Grammy Museum is an interactive playground using technology that facilitates the experience of music in so many ways; it is much more than a traditional museum.
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