With Mike Wallis directing, writing, and producing and Inge Rademeyer as star and fellow producer, Good for Nothing takes advantage of its much-vaunted New Zealand locales for some Sergio Leone/John Ford impact, and throws in some impertinent, Kiwi attitude for kicks.
Bless screenwriter Diablo Cody and director Jason Reitman their twisted, little hearts. Young Adult isn't season-specific, but it does serve as a healthy counterbalance to all that holiday growth and belonging.
The tag line for Tom Six's new The Human Centipede 2 (Full Sequence) is "100% Medically Inaccurate," tipping those who witnessed The Human Centipede (First Sequence) that the follow-up is going to be a further affront to everything pure, good, and sanitary.
Roland Emmerich's been making disaster films since time can remember, yet for all his besetting humans with floods, fires, and earthquakes, he's never managed to make something as resonant, affecting, and powerful as Take Shelter.
Evan Glodell's Bellflower is the tale of two Southern Californians who fill their free time with speculations of the post-apocalyptic future and preparations for same that include the construction of Matilda, a bad-ass, black automobile.
Learn about this radical reenvisioning featuring standout performances by James Nesbitt (Bloody Sunday) and Gina Bellman (Coupling), plus corporate conspiracies, weird science and, oh yes, lesbian private detectives.
In the place of a Cinefantastique Podcast in which we discuss our top ten lists for 2010, we give you a Cinefantastique Post-Mortem in which we discuss doing a show in which we discuss our top ten lists for 2010.