Please note: This is Part I of a three-part article. Stay tuned. PART I "Because here's the thing -- the road ahead is not going to be easy. It ne...
I think that theater, with an eye to the development of new performative languages and adaptation to the times, will manage to redeem its role in upcoming years, a role that is as indispensable for every community as that of a hospital or school.
The opera's conductor laughed when I told him. "I recall teaching one of my protégés how to use a rotary phone; he kept looking for buttons to push." "Boy or girl?" I quipped.
The other night in Louisville, in rehearsal at Kentucky Opera, staging my new verismo opera, "A Woman in Morocco," just before the running of the Kentucky Derby, I realized just how much opera singers and thoroughbred racehorses have in common.
One of my first jobs after graduating music school was a production of Cosi Fan Tutte with Eugene Opera. As is typical with regional opera companies who rent performance venues, rehearsal space is always an issue.
Today -- finally! -- is the day. After a horrific winter featuring the coldest recorded temperatures in the past 81 years combined with a flu vaccine of historic inefficacy, spring has finally shown up.
I was startled when I read an article written by the music critic of the Dallas Morning News criticizing both Dallas Opera and Fort Worth Opera Festival for an "unbalanced" season with too many world premieres and not enough standard/existing repertoire.
I go around and around about classical music and opera not being popular, especially with younger audiences. It really bugs me. How do you get them to enjoy it and not make it feel so foreign?
The principals for this season's Ballo are the same that sang the premiere of the current production in 2012 with one main exception -- Beczala taking over the role of King Gustavo III of Sweden. And with Levine now conducting the always splendid Met Orchestra, the evening is a musical joy.
The absurdity inside many of Broadway comedies, a world where anything can happen, comes through in full force this season in the new Living on Love, ...
I spoke with Pierpaolo Barbieri about his re-framing of the relationship between two of the world's most despised men, the intrinsic danger of absolute power, and historical memory's very long shadow.
I did not know Oleg Bryjak or Maria Radner. These are two of the victims who perished in the recent Germanwings plane crash. They were opera singers doing what we all do -- traveling to or from engagements.
The Russian soprano captivated a first night audience with her bravura performance as the doomed Scottish lass, culminating in a heart-stopping Mad Scene that can take its place among those of the storied singers who have made the role a signature of their virtuosity.
Every one of the Rose Theater's 1,100 seats was filled for a opera concert produced by NYCO Renaissance, an effort to revive the defunct New York City...
The story of Manon Lescaut is the classic saga of a young woman torn between love and money. It has inspired several operas and the Met returned its p...
As always with James Levine in the pit, a night at the opera is something special, and the Metropolitan Opera's second round of performances of Offenbach's Les Contes d'Hoffmann with a new cast led by the tenor Matthew Polenzani is no exception.