Now the Metropolitan Opera, my home for over 20 years of my 34-year career, is in the final hours of labor negotiations. We have been told there will be a lockout starting at midnight Thursday evening when the fiscal year closes.
Kenneth Schermerhorn and I raised our glasses. "To Art," I began. "To Life," he replied. "To the collision of the two," I said. "Ah," he sighed, smiling, "now there is where the trouble begins." And, to that, we drank.
The sun shining down on Napa has created a wonderful gravitational pull with the events offered at this year's Festival de Sole.
The art of tai chi and the art of singing share many things -- discipline, regular practice, and an emphasis on the breath. But, what may surprise you, as it did me, is that the breath, as a vehicle for directing energy to the singer's stage presence, was paramount in the success of any stage production.
We're in for a wild ride the next few years. Some really great operas are going to be produced. The Great Dream is coming true.
As someone who has been working in this industry for the past 15 years, I wanted to share with all of you some of the tidbits I wished someone had told me when I was starting out. Brace yourselves - it's not all pretty.
Why do we value our artists so little in the U.S. that we question whether $100,000 per year is too much money to earn for essentially being the backbone of the most well regarded opera house in the country?
I suppose it takes a highly specialized village to make the Metropolitan Opera work on all cylinders. New York has already lost one opera company. We do not need to lose another.
Last week, some friends came to visit my hometown. "We know it's a drag to have to be a tour guide in your hometown, but what if you became a tourist with us?" one of them suggested.
Whether your taste is modern or Baroque, these are some opera houses you definitely need to visit on your next trip around the world.
I have been reading with interest the many articles and comments about the controversial decision by Peter Gelb of the Metropolitan Opera to cancel th...
Wiesbaden cannot possibly compete with Munich or Berlin or Frankfurt or Cologne or Stuttgart. But it is cozier, more easily navigated, than the big cities
Why do European opera institutions not have in-house residencies for composers? It is said that contemporary opera does not have an audience but that is an obvious misconception.
Though women are generally portrayed as schemers, in this case it is the men who pose the challenge -- something like Bridesmaids-meets-Hangover for the 18th century.
There was part of me that didn't want to get involved in the discussion at all because I wanted the news about it to end so that the singer in question could just forget about it and move on.