I cheered Alfonso Cuarón and Emmanuel Lubezki's historic Oscar wins because of their talent and our shared cultural heritage. But I also realize that they don't reflect the experiences of American Latinos.
During her acceptance speech, Lupita Nyong'o eloquently remarked: "No matter where you're from, your dreams are valid." We should continue to fight for comprehensive immigration reform that can provide every talented person the opportunity to succeed in the greatest nation on Earth.
In honor of this year's Academy Awards, hotel search trivago has put together a collection of seven impressive hotels that served as filming locations for some of your favorite films of the year.
Tears. No, sobs actually. Yep, I will own that. I sobbed when Lupita Nyong'o took the stage and accepted an Oscar for portraying, in her words, "so much pain in someone else's life." Pure and unadulterated empathy. She took on the pain of Patsy.
In his book, Brown Sugar: Over One Hundred Years of America's Black Female Superstars, Black film historian Donald Bogle rhapsodized, "With a wink ...
Everyday in some shape, form, or fashion, I was being told that I would be dead or in jail by the age of 25 and that my life didn't matter much. It wasn't until I started to look for approval from within, that life started to turn around.
The day after, all anyone could talk about was how we was "robbed." There's only one problem with this: It's absolutely not true.
The speech shouldn't seem canned and rehearsed or else you appear to have expected to win. It also can't ramble, as there's so little time. And if you have won for being an actor, well, then you're supposed to act well.
Alfonso's harsh family and personal and professional circumstances were very similar to those of that woman in space. Physical and metaphysical garbage, waste from fear, greed, ignorance -- and many of those elements of the sublime and putrid within the film industry lined up like missiles that hit his ship.
We've talked about the lives of privation and misery that animals on factory farms endure, and also about defending Missouri's anti-puppy mill ballot measure from attacks in the Legislature, and about blocking ag-gag bills that try to silence our undercover investigations.
One man said, "Would you rather keep the Oscar statue or get a blow job from any actress in the first three rows?"
We've all seen one famous face after another tumble down the rabbit hole of peer pressure, cultural expectations, show business demands, sheer vanity, fear of death, revulsion of aging and the simple miscalculation that the only beauty is youthful beauty. It's a heavy burden.
Perhaps follow Roeper's implicit advice: Read the Gospel of Luke.
Have you noticed that these events have gotten so much more human? The quest for viewer engagement and the inclusion of the viewer in the viewing has made these events not only so much more fun, but also more real.
Yes, it can be appalling to see people aging ungracefully, even desperately. And duck lips and smooth but unmovable faces can look disturbing. But what I find even more appalling is ageism. The dread of losing youth and looks, projected into disgust with those who try to fight it.
"My Brother's Keeper" frames education and jobs, as the way to equality and that is simply not the case. It will not protect them from White fear emboldened by guns on street corners. It will not erase minstrel-like narratives reproduced in media.