The Oscars represent a time for us to celebrate our favorite movies and the people who make movies. But it is also the time when we vilify the same celebrities that we glorify.
The best art is that which holds a mirror to our lives. So if we as a society are aging, so too should the talkies. And here Hollywood teaches us one of the most critical lessons about turning global population aging into a sustainable source of economic growth.
How does jazz survive with a shrinking fan base, and J.K. Simmons' now infamous "Rushing or Dragging" scene being the only understanding of this music that the popular culture knows?
For the third time in four years, the Oscar for Best Picture has gone to a film about film -- a "meta-film" if you will. If we wanted to, we could take this observation and ask the question: What does this say about the Academy? But instead, why don't we take this Academy bias and ask a harder question.
From President Obama's calls for equal pay to the House Democrats' Women Succeed agenda to the nonpartisan National Women's Law Center to now Oscar night itself, this issue is gaining traction.
The Academy Awards were created to recognize cinematic achievements in film. However, when the voters are primarily white men, it is not surprising that people of color are not given the recognition they deserve.
She is unapologetic in her work, which shows that one's brilliance cannot be measured in Oscars and accolades, but in the impact you have on society.
Despite the hype, the praise and critical acclaim, as part of the crew, you may dream of it, but you don't really think 'this one is going to win an Oscar.'
In terms of brand activity, the winner of the night was probably Lego. That highly successful movie took the brand to a whole new level of "entertainment" -- a classic brand extension. The celebs holding Lego Oscar statues was a nice touch.
The host of the awards has no place contradicting the view of a documentary filmmaker who has just spoken eloquently of the subject of her film.
Penn's unwarranted remark is as obscene as questioning, "who gave blacks the right to vote?" or "who gave women the right to pursue an education?"
Every time I go see something in a theater, I never really go in alone, but Roger Ebert comes with me, as with questions of what Roger would write.
The Academy Awards for me was a surprise, notably in that I mostly enjoyed Neil Patrick Harris' performance.
Because of his war pictures and Westerns, he will always be perceived by some as the heir to John Wayne, but, whatever one thinks of American Sniper, Eastwood is much more subtle than some jingoistic zealot.
There is no bigger time of year in Hollywood than Oscar season as a record number of gifting suites pop up catering to stars not just with free gifts ...
Fifty years ago, Shirley Bassey's Goldfinger, arguably the greatest James Bond theme of all, and one of the most explosive musical compositions in the history of cinema missed winning the Academy Award for Best Song -- in fact, it missed a nomination altogether.